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    Home»Music»30 best Halloween songs, including Alice Cooper, AC/DC, Michael Jackson and Black Sabbath
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    30 best Halloween songs, including Alice Cooper, AC/DC, Michael Jackson and Black Sabbath

    SteveBy SteveOctober 9, 2023No Comments4 Mins Read
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    Here’s a look at 30 classics guaranteed to put you in the mood for the ultimate rock ‘n’ roll holiday. A few of these choices are painfully obvious Halloween staples. “Monster Mash,” for instance.

    But that song is child’s play compared to a lot of these choices. And I don’t mean “Child’s Play,” the movie with Chucky, the murdering doll. That was actually scary. I mean child’s play as in sticky kids’ stuff, as opposed to Alice Cooper staring longingly into cadaver eyes or Bauhaus paying tribute to film legend Bela Lugosi of “Dracula” fame.30 best Halloween songs

    We’re just doing our part to keep Halloween frightfully on point here.

    Alice Cooper, ‘I Love the Dead’

    I could have filled the list with Alice Cooper songs. In fact, I did a separate list called the Ultimate Alice Cooper Halloween playlist if you want to dig a little deeper. It seemed more fair for the sake of this list to limit each artist to a single track. And this one is a ghoul-tide gem, from the opening verse, “I love the dead before they’re cold. Their bluing flesh for me to hold. Cadaver eyes upon me see … ” Pause. “Nothing.” Other lines that make this song the greatest Halloween track ever? “I never even knew your now-rotting face.” “While friends and lovers mourn your silly grave, I have other uses for you, darling.” And the sing-along chorus is genius. The only thing missing is a children’s choir. Ahh, restraint ….

    The Who, ‘Boris the Spider’

    John Entwistle’s demented genius fueled a number of the Who’s most offbeat early tracks, including this — a creepy, creepy, crawly, crawly ode to a spider named Boris. The dark, descending bass line makes it sound like horror-movie soundtrack fare, and Entwistle’s voice on the chorus is particularly creepy. By the final verse, he’s gone from merely observing the spider to fearing the spider to beating the spider to death with a book. As the late, great bassist puts it, “He’s come to a sticky end.”

    Bauhaus, ‘Bela Lugosi’s Dead’

    A Hungarian film star best remembered for his starring role in “Dracula,” Lugosi made an ideal subject for a Bauhaus single. And these goth-rock pioneers delivered with a haunting post-punk tapestry of strange guitar effects, a dark, descending bass line and lead singer Peter Murphy eventually making his way to the mike to deliver the eulogy several minutes in: “The bats have left the bell tower. The victims have been bled. Red velvet lines the black box. Bela Lugosi’s dead.”

    The title track to David Bowie’s 1980 classic “Scary Monsters” finds the former Ziggy Stardust observing a woman’s descent into madness and, as such, those super creeps and scary monsters may be nothing more than figments of a mind gone mad. Or are they?

    Screamin’ Jay Hawkins, ‘I Put a Spell on You’

    Long before Alice had met his untimely demise in a guillotine, Screamin’ Jay Hawkins was making the world safe for spooky rock-and roll-theatrics in the ’50s. Carried onstage in a flaming coffin, Hawkins would rise from the box wearing a black satin vampire cape and serenade a skull named Henry, which Hawkins would carry around on a stick, with songs like this. Hawkins has said he was drunk the day he cut “I Put a Spell on You” and that explains a lot, but his performance still brings chills with maniacal laughter punctuating what sounds like the ranting of a half-mad stalker. “I put a spell on you because you’re mine,” Hawkins sneers in the opening verse. And it gets creepier from there.

    AC/DC, ‘Highway to Hell’

    From AC/DC’s final album with Bon Scott on vocals, “Highway to Hell” finds Scott romanticizing hell as the ultimate rock-and-roll promised land. “My friends are gonna be there, too,” the singer gleefully proclaims. Or course, he didn’t know he was about to die. But chances are, he would’ve sung that bit about a “season ticket on a one-way ride” regardless. The guitar riff is among the finest AC/DC ever hammered home, while the solo does more with the raunchier side of the Chuck Berry template than any lead guitar break since the early Kinks.

    30 best Halloween songs
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